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Serendipity and the Art of the Quilt

Serendipity and the Art of the Quilt

Creating with Brenda Gael Smith

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Could have been a contender

31 March 2009 Filed Under: Technique:Dyeing, Technique:Surface Design, Twelve by Twelve 4 Comments

When Gerrie announced “window” as the next theme for the Twelve by Twelve Collaborative Art Quilt Project, I immediately thought of the magnificent rose windows found in Europe. I contemplated dyeing some shibori-style mandela shapes following directions from Paula Burch but I was missing some vital dyes so I folded and painted instead:
rose1 rose2 rose3
I even started with some quilting and additional painting but then I turned in a different direction. Check out the Twelve by Twelve blog on 1 April (US time) to see my other ideas.
contender
Tomorrow afternoon the Laundry King and I fly out to Auckland, New Zealand to catch up with some family and friends. I know this city very well but do let me know if there are some new shops, sights, galleries, brew pubs or other places we should check out.

Reader Interactions

Comments

  1. Kristin L says

    31 March 2009 at 1:24 PM

    Those are lovely pieces of fabric. I hope they find other projects to be worked into eventually. 🙂

    Reply
  2. Judy says

    31 March 2009 at 5:33 PM

    Hi! Brenda,

    Wonderful colours in the dying and painting, all sorts of potential for them.

    Reply
  3. Judy says

    31 March 2009 at 5:34 PM

    HI1 Again,

    Forgot to say have a super visit to New Zealand.

    Reply
  4. Deborah says

    1 April 2009 at 12:07 PM

    Lovely fabrics and so much potential! I love rose windows. Can’t wait to see what you did choose to do.

    Reply

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Brenda Gael Smith
brenda@serendipitypatchwork.com.au

PO Box 131, Avoca Beach
NSW 2251 Australia

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This year (2026) marks the 20th anniversary of the
This year (2026) marks the 20th anniversary of the Australasian Quilt Convention. The entrance features a display of the brochure covers over the years and it was fun to identify 3 covers that include snippets of exhibits that I was involved with.

⭐️ 2009 was my first AQC. I was a tutor and my contribution to the “teach me” exhibit was “Grass” that you can see in the lower right corner.

⭐️ in 2013, the Twelve by Twelve International Art Quilt Project shared the Colourplay series which included a piece by @studioconway highlighting the plight of refugees in drought (see centre left)

⭐️ in 2020 the chronology was disrupted by the Covid pandemic but not before the brochure was published with “The Fuchsia’s Looking Bright m” by @darlingdi from @vision2020textiles who poseda poignant question: Will my optimistic dream of a brighter future turn out to be 2020 vision, or just a fun and fabulous fabric fusion of my favourite colours?

Congratulations to @craft.events_  on the 20th Anniversary 🤩


I am driven to abstraction. Abstraction is a persi
I am driven to abstraction. Abstraction is a persistent and insistent force in my creative practice. Working improvisationally, I capture the essence of my subjects to impart a sense of wonder of the natural world and a deep affinity to place. 

As part of the Rajah Award that I received last year, I will be sharing a selection of my textile paintings in a special exhibit at the Australasian Quilt Convention in  Melbourne presented by @craft.events_ 

Textile enthusiasts from across Australia and overseas gather at this exciting event. If you see me at AQC, please do say hello. I am looking forward to seeing everyone😍

#australasianquiltconvention  #rajahaward  #brendagaelsmithart #australasianquiltconvention2026