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Serendipity and the Art of the Quilt

Serendipity and the Art of the Quilt

Creating with Brenda Gael Smith

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Hanging Multi-Part Textile Works

18 August 2020 Filed Under: Curator Knowledge, Exhibitions, Taking Shape Leave a Comment

Taking Shape-Cues from NatureThe 12 works from my 2018 monthly art project  Taking Shape: Cues from Nature are off to tour in China and I have been exploring different ways of hanging the collection. At the Sydney Quilt Show and Queensland Quilters Show last year, the works were pinned to the carpet walls. For China, I needed to find an effective, low-fuss method that could be installed and taken down by others with ease in a variety of settings.

Brenda Gael Smith Special Exhibit at the Sydney Quilt Show

Hanging Options

I asked around for suggestions and came up with three basic approaches:

  1. mounting the works onto a background panel;
  2. using nylon strings; or
  3. joining the works with tabs or rectangular rings.

For my purposes, option 1 was not suitable due to the extra bulk and the potentially visually obtrusive element of the background panels against the venue walls.

For option 2, I experimented with hanging batons made from light-weight foamcore board with eye hooks screwed into the end. I then made loops from beading nylon and hooked them over a button sewed 2.5cm (1inch) in from the corners of the work above. (Bonus tip – tape the nylon loop down on the eye hook so it doesn’t slip around.) Here are some close ups.

Audition time

An informal Instagram showed that both approaches appealed to viewers:

I think that the rectangular loops have potential for other project but decided not to use them in this case because:

  • the only ones I could source were quite heavy and potentially distorted the works;
  • the rings were difficult to sew neatly and securely in place at regular intervals. I used invisible thread but it loosened with even gentle handling and did not seem robust enough for touring;
  • the eye was drawn to the metal joiners, detracting attention from the individual artworks and the overall collection; and
  • although the linked panels could be folded concertina-style, the packing footprint was larger. By contrast, with the nylon loops approach, the individual works can be stacked one on top of each other, keeping the packing footprint to 50x50cm (20x20in).

I don’t have room in my studio to show all 12 works hanging together but this gives you an idea. The nylon strings ensure there is minimum visual distraction between the works and minor size variations between the works are not accentuated.

New YouTube Channel

Check out my video Hanging Multi-part Textile Works on my new YouTube channel where I show the hanging process in more detail. Let me know if you would be interested in more of these kinds of videos.

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Brenda Gael Smith
brenda@serendipitypatchwork.com.au

PO Box 131, Avoca Beach
NSW 2251 Australia

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This year (2026) marks the 20th anniversary of the
This year (2026) marks the 20th anniversary of the Australasian Quilt Convention. The entrance features a display of the brochure covers over the years and it was fun to identify 3 covers that include snippets of exhibits that I was involved with.

⭐️ 2009 was my first AQC. I was a tutor and my contribution to the “teach me” exhibit was “Grass” that you can see in the lower right corner.

⭐️ in 2013, the Twelve by Twelve International Art Quilt Project shared the Colourplay series which included a piece by @studioconway highlighting the plight of refugees in drought (see centre left)

⭐️ in 2020 the chronology was disrupted by the Covid pandemic but not before the brochure was published with “The Fuchsia’s Looking Bright m” by @darlingdi from @vision2020textiles who poseda poignant question: Will my optimistic dream of a brighter future turn out to be 2020 vision, or just a fun and fabulous fabric fusion of my favourite colours?

Congratulations to @craft.events_  on the 20th Anniversary 🤩


I am driven to abstraction. Abstraction is a persi
I am driven to abstraction. Abstraction is a persistent and insistent force in my creative practice. Working improvisationally, I capture the essence of my subjects to impart a sense of wonder of the natural world and a deep affinity to place. 

As part of the Rajah Award that I received last year, I will be sharing a selection of my textile paintings in a special exhibit at the Australasian Quilt Convention in  Melbourne presented by @craft.events_ 

Textile enthusiasts from across Australia and overseas gather at this exciting event. If you see me at AQC, please do say hello. I am looking forward to seeing everyone😍

#australasianquiltconvention  #rajahaward  #brendagaelsmithart #australasianquiltconvention2026