• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to footer
Serendipity and the Art of the Quilt

Serendipity and the Art of the Quilt

Creating with Brenda Gael Smith

  • WEBSITE
  • About
    • Biography
    • Resume
  • Shop
  • Gallery
    • Serendipity Gallery
    • Contemporary Textile Art
    • Monthly Art Project 2019
    • Weekly Art Project
  • Workshops & Programs
    • Workshop Booking Form
    • Overview
    • Workshops Brochure
    • 3 Hour Zoom Workshops
    • Schedule
    • Lectures & Programs
    • Abstraction from Reality
    • Bound to Please
    • Creating with Felt
    • Circular Explorations
    • Improvisation Plus
    • Lines of Beauty
    • Logs & Ladders
    • The Modern X
    • Shibori Serendipity
    • Stacks of Improvisation
    • Strata Various
  • Resources
    • Copyright Resources
    • Tutorials
    • Melody Quiltalong
  • News/Events
    • Calendar
    • Newsletter Sign Up
  • Blog
  • Contact

Creating with Solids #2: It’s All About Colour!

26 November 2012 Filed Under: Contemporary Quilts, Products, Technique: Design - Creating with Solids 3 Comments

In Creating with Solids #1, I remarked upon how working with solid fabrics reveals the full expressiveness of our own personal lines and marks. Today it’s all about colour.

Whether you use commercially produced solids or dye your own, solid-coloured fabrics offer a veritable rainbow of shades, values and hues. Robert Kaufman recently expanded their Kona Cotton Solids range to 243 colours:
Kona Cotton Solids Card
Other fabric lines offering an extensive range of solids include: Free Spirit – Designer Solids; Moda – Bella Solids; and RJR Cotton Supreme.

The more you work with solid coloured fabrics, the more you learn about how colours interact. An important part of this interaction is value – the difference you see between light and dark. So often we are drawn to medium-value fabrics but compositions using only mid-tones will be flat and lifeless. It is not enough to simply change colours. Value changes are required to create lines, shapes and pattern.

I made my Neapolitan Quilt mostly out of grey, pink and purple solids. The small amount of blue adds some freshnewss but, as shown by this gray-scale comparison, it is the mix of values that gives this design its movement.
Neapolitan-Greyscale

If you use Electric Quilt software to design your quilts, check out Kevin Kosbab’s article The Benefits of Designing with Solids in EQ7. You can also download the EQ7 Solid Fabrics library with swatches of solid fabrics downloaded from more than 10 manufacturers’ websites. This allows you to design with actual fabric colours rather than generic screen colours.

My Ripples Quilt Design shows you just some of the colours in Kona Cotton Solids.
Ripples Quilt Pattern by Serendipity Patchwork & Quilting

Related posts:

  • Creating with Solids #3: Shapes & Negative Space
  • Creating with Solids #1:Lines of Expression
  • We Love Colour: Kona Cotton Solids

Look out for my forthcoming Quilters Companion DVD – Modern Quilts: Improvising Using Stacks of Solids. Out on 12 December!
Improvising Using Stacks of Solids

Reader Interactions

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Blog Posts Straight to Your In Box


Blog Archives

Serendipity Studio Newsletter

Categories

Recent Posts

  • Rajah Award 2025
  • Art Quilt Australia 2025
  • Zig Zag Pizzazz at the Australasian Quilt Convention 2025
  • Glioblastoma: Statistics and Stories
  • Learn with me: 2025 workshops
  • Email
  • Facebook
  • Instagram
  • YouTube

Footer

Contact

Brenda Gael Smith
brenda@serendipitypatchwork.com.au

PO Box 131, Avoca Beach
NSW 2251 Australia

Serendipity Studio News

Sign up for periodic updates from my studio - new artwork, workshops, exhibitions and other news

  • Email
  • Facebook
  • Flickr
  • Instagram
  • Pinterest
  • YouTube

New on Instagram


This year (2026) marks the 20th anniversary of the
This year (2026) marks the 20th anniversary of the Australasian Quilt Convention. The entrance features a display of the brochure covers over the years and it was fun to identify 3 covers that include snippets of exhibits that I was involved with.

⭐️ 2009 was my first AQC. I was a tutor and my contribution to the “teach me” exhibit was “Grass” that you can see in the lower right corner.

⭐️ in 2013, the Twelve by Twelve International Art Quilt Project shared the Colourplay series which included a piece by @studioconway highlighting the plight of refugees in drought (see centre left)

⭐️ in 2020 the chronology was disrupted by the Covid pandemic but not before the brochure was published with “The Fuchsia’s Looking Bright m” by @darlingdi from @vision2020textiles who poseda poignant question: Will my optimistic dream of a brighter future turn out to be 2020 vision, or just a fun and fabulous fabric fusion of my favourite colours?

Congratulations to @craft.events_  on the 20th Anniversary 🤩


I am driven to abstraction. Abstraction is a persi
I am driven to abstraction. Abstraction is a persistent and insistent force in my creative practice. Working improvisationally, I capture the essence of my subjects to impart a sense of wonder of the natural world and a deep affinity to place. 

As part of the Rajah Award that I received last year, I will be sharing a selection of my textile paintings in a special exhibit at the Australasian Quilt Convention in  Melbourne presented by @craft.events_ 

Textile enthusiasts from across Australia and overseas gather at this exciting event. If you see me at AQC, please do say hello. I am looking forward to seeing everyone😍

#australasianquiltconvention  #rajahaward  #brendagaelsmithart #australasianquiltconvention2026