Breaking the Rules

Around Casa da Praia (the name we bestowed on our home at Copacabana - it’s Portuguese for “house of the beach”) we have a long standing house rule that you are not allowed breakfast unless you have been for a walk and/or a swim. Exercise and salt air are a great tonic and this daily constitutional gives a little structure to retirement living. Besides David knows that this is one chance he gets to see me before I disappear into my studio and he returns to the “office” (the beach) to work on his tan.

However, the house rule has some flexibility as we don’t enforce it strictly in inclement weather. As it is raining today, I am in my studio bright and early. I guess that is not really breaking the rules.

Le feu (fire) was making me fou (crazy) - I must practise my French vocabulary as we leave for Europe in just two months. Instead of completing, earthwaterfire, I’ve been doing some play pieces to get my equilibrium back so here is a sample:

Playing with fire

I’ve been playing with fire but it’s still not flamelike enough for me so it might be time to put it aside for a while. I’ve had slightly more success with developing my blog button:

Lisa Call very kindly shared with me the trick of modifying the html code so that it shows up in a post but there were unintended formatting consequences for the rest of my blog - my side bar ended up way at the bottom of the page. So, until I work this out, please e-mail me if you would like the html. Otherwise, it has not been a very productive weekend…

Up in Smoke

Well I managed to ruin fire yesterday with some ill-advised insertions. So often, less is more and more is less (And no I’m not going to show you because it may turn into a phoenix yet.) I’m going to start it over again and try not to overthink it this time. Fortunately the pieces are only 30cm square.

earthwaterfire work in progress

So this is a sneak preview of how the three pieces might look together. I finished piecing water today but still have some work to do on fire. I would prefer there to be more contrast between earth and fire but hopefully the quilting will enhance the earth tones and play up the oranges in fire.

Water, water, everywhere

I know I said good things come in threes but this is ridiculous:

I’m working on the middle part of my earthwaterfire triptych and here are three possible colour/layer compositions. (Yes, the digital camera audition comes to the rescue again ! ) I’m concerned that putting a dark layer in the middle cuts the quilt in half visually. So I’m going to put this aside for a while to ponder…

Good things come in threes

Here is the first (unquilted) part of my earthwater fire triptych. I’d love to spend the day on the other pieces but I’m off to Sydney to start processing entry forms for the Sydney Quilt Show…One of the good things about being Exhibition Secretary is that I get a sneak preview of all of the lovely quilts.

A Very Useful Gift

I was reading Melody Johnson’s blog,Fibermania, back in January (her 27 January post to be precise) in which she remarks: The digital camera really has made such a difference in the way I work these days, with opportunities to change the way I view something or by printing out the image and making changes on the paper before I do it on the final piece.

It got me thinking about how much the digital camera has become integral to my own quiltmaking activities. Not only is it great for taking photos of quilts-in-progress and finished quilts so that I can share them with others by e-mail or by posting them on the web, but other handy uses include:

• auditioning fabrics from my stash for potential projects - both colour and grey scale photos are great ways of checking whether you have a good mix of values or if a particular fabric is going to leap out at you;
• when required, taking photographs of fabrics to send to the recipient of the proposed quilt to check that it will fit in with their decor (not that I often give people this choice!);
• auditioning block/colour placement in the course of quilt construction - you can photo all the different combinations; choose the one you like the best and refer back to that photo as you put the quilt/blocks together;
• checking block/colour placement as you go along . You don’t even need to take a photo for this - just looking through the lens can be enough to show you something is not quite right;
• making a reference shot of block/colour placement so that I can freeup the design wall for other projects (I’m not a one-quilt-at-a-time kind of quiltmaker!);
• auditioning borders - I take photos of my completed quilt centres,and import them into my EQ5 software. By using the appropriate scale, I can then mock up different size/multiple/colour/ style borders. This how I came up with the border in myBanana Flower Paradise quilt - I love how the border echoes the fringe of a banana leaf;
• incorporating a photo of some or all of the quilt for the quilt label which I print up on fabric sheets in my inkjet printer;
• incorporating photos into my quilts; and
• last, but not least, my digital photo albums represent my own little inspiration bank overflowing with design, palette, subject and composition ideas.

My digital camera was given to me as a farewell gift when I resigned as a partner in a law firm in 2003. It’s not a fancy model but it gets constant use. The law firm is holding an inaugural alumni event next week (I’ll be the one not wearing a suit although I promise not to wear my usual swimsuit/shorts attire) so I’ll be sure to tell them what a useful gift it has been.

Cover Girl

Today I received my copy of issue No 94 of the Down Under Quilts magazine which not only contains a profile of yours truly but features one of my quilts on the cover. What a thrill! I am especially pleased at how well my quilts have been photographed. Thank you to Erica and the DUQ team.

Playing Around

I thought I should do some more ATCs for the swap this Saturday:


The Copacabana waves proved to be a great opportunity to try out the braiding (couching) foot that I bought 18 months ago on a creative impulse.

I also made this “Earthlines” postcard from some experimental piecing that I had lying around:

All good fun but I think I prefer working with a larger medium…

I surrender!

To date I have steadfastly resisted the current craze for quilted postcards and artist trading cards. Partly because I’ve never been a particularly trendy person and partly because I don’t have much aptitude for embellishment (quilted or otherwise!). And so it was rather rash of me to agree to participate in my guild’s forthcoming ATC swap and also to provide a postcard for the Crystal Serenity 2006 World Cruise “A World of Color: Art, Craft, and Quilt Project” but here are my results to date:

Perhaps the element of rarity will make my ATCs especially collectible?!

You will see that I soon gave up on trying to add facial features. Also, you will see that I have made a Valentine’s Day bookmark for David. Not that I am a big fan of Valentine’s Day but it’s an anniversary of sorts for us so we always like to celebrate on 14 February in our own small way.